{"id":8640,"date":"2024-10-01T12:56:53","date_gmt":"2024-10-01T12:56:53","guid":{"rendered":"https:\/\/www.artep.ro\/?page_id=8640"},"modified":"2024-10-01T12:56:53","modified_gmt":"2024-10-01T12:56:53","slug":"program-de-mentorat-in-cadrul-proiecutlui-rezidenta-artistica-110","status":"publish","type":"page","link":"https:\/\/www.artep.ro\/en\/program-de-mentorat-in-cadrul-proiecutlui-rezidenta-artistica-110\/","title":{"rendered":"Mentoring Program within the Artistic Residency 110 Project"},"content":{"rendered":"
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\n\t\t\t\t\t\t\t\t\tMentoring Program within the Artistic Residency 110 Project\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tAs part of the 110 Artistic Residency project, young artist Andrei Gavrili\u021ba will deepen the research conducted in Berlin from May 11-22, 2024, through online mentoring sessions. These sessions are aimed at strengthening the young artist's knowledge both on the residency theme, Body Politics, and in developing his artistic practice \u2013 photography. His mentors for the June-July 2024 period will be artists Laura Letinsky and Mark Power.\nThe 110 Artistic Residency is a program developed by the Artep Gallery Association, in partnership with the Berlin-based institution Haus der Kulturen der Welt (House of World Cultures), and co-financed by the Administration of the National Cultural Fund (AFCN).\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tLaura Letinsky has a BFA from the University of Manitoba, Winnipeg, Canada, and her MFA in Photography from Yale University\u2019s School of Art, Letinsky has been a Professor at the University of Chicago since 1994. She shows with Yancey Richardson Gallery, NYC, and Document, Chicago, and exhibits internationally including PhotoEspana, Madrid, the Israeli International Photography Festival, Mumbai Photography Festival, Mumbai, India, MIT, Cambridge, MA,Basel Design, The Photographers Gallery, London, and , Denver Art Museum, CO. \nAwards include the Maison Dora Maar, France; Canada Council International Residency, Kunstlerhaus Bethanien, Berlin, The Canada Council Project Grants, The Anonymous Was a Woman Award, and the John Simon Guggenheim Fellowship, and her work is published in monographs and catalogues such as To Want For Nothing, Roman Nvmerals, 2019, Time\u2019s Assignation, Radius Books, 2017, Ill Form and Void Full, Radius Books, 2014, Feast, Smart Museum of Art, UC Press, 2013, After All, Damiani, 2010, Hardly More Than Ever, Renaissance Society, 2004, Blink, Phaidon Press, 2002, and Venus Inferred, University of Chicago Press, 2000.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tMark Power\u2019s complex, meticulously crafted images - usually made with large format cameras - have earned him a reputation as one of the forerunners of British photography. For many years his work has been seen in numerous galleries and museums across the world, and is in several important collections, both public and private. However, Power considers himself to be primarily a book maker, and to date he has published fifteen: The Shipping Forecast (1996), a poetic response to the esoteric language of daily maritime weather reports; Superstructure (2000), a documentation of the construction of London's Millennium Dome; The Treasury Project (2002), about the restoration of a nineteenth- century historical monument: 26 Different Endings (2007), which depicts those landscapes unlucky enough to fall just off the edge of the London A-Z, a map which could be said to define the boundaries of the British capital; The Sound of Two Songs (2010), the culmination of his five year project set in contemporary Poland following her accession to the European Union; Mass (2013), an investigation into the power and wealth of the Polish Catholic church; Die Mauer ist Weg! (2014), about chance and choice when confronted, accidentally, with a major news event - in this case the fall of the Berlin Wall; Destroying the Laboratory for the Sake of the Experiment (2016), a collaboration with the poet Daniel Cockrill about pre-Brexit England; Icebreaker (2018) which documents two Finnish ships operating in the Bay of Bothnia; Terre a l\u2019Amende (2021), the result of an artist-in- residency programme in the Channel Island of Guernsey, and the five-book, work-in- progress series, Good Morning, America, Volumes I (2018), II (2019), III (2020) and IV (2023). A revised and much-expanded version of his first book, The Shipping Forecast was published in 2022.\nPower taught at the University of Brighton from 1992 until 2017, first as a Senior Lecturer, then as the Professor of Photography. He joined Magnum as a nominee in 2002, becoming a full member in 2007. He lives in Brighton, on the south coast of England, with his wife Jo and their dog Kodak.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tOrganizer: Asocia\u021bia Galeria Artep\t\u2028Main Partner: Haus der Kulturen der Welt Berlin\t\u2028Partners: Universitatea Na\u021bional\u0103 de Arte \u201eGeorge Enescu\u201d din Ia\u0219i, Institutul de Cercetare Multidisciplinar\u0103 \u00een Art\u0103, PROPAGARTA, Empower Artists, Modernism, PIN Magazine, Destination Ia\u0219i\u2028Cultural project co-financed by: Administra\u021bia Fondului Cultural Na\u021bional\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Program de mentorat \u00een cadrul proiecutlui Reziden\u021ba Artistic\u0103 110 Program de mentorat \u00een cadrul proiecutlui Reziden\u021ba Artistic\u0103 110 \u00cen cadrul proiectului Reziden\u021ba Artistic\u0103 110, t\u00e2n\u0103rul artist Andrei Gavrili\u021ba are parte de aprofundarea cercet\u0103rii desf\u0103\u0219urate la Berlin \u00een intervalul 11-22 mai 2024 prin desf\u0103\u0219urearea unor sesiuni de mentorat online. Acestea au rolul de a consolida cuno\u0219tin\u021bele […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-8640","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/pages\/8640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/comments?post=8640"}],"version-history":[{"count":1,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/pages\/8640\/revisions"}],"predecessor-version":[{"id":8734,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/pages\/8640\/revisions\/8734"}],"wp:attachment":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/media?parent=8640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}