{"id":8686,"date":"2024-10-01T12:38:30","date_gmt":"2024-10-01T12:38:30","guid":{"rendered":"https:\/\/www.artep.ro\/?page_id=8686"},"modified":"2024-10-25T12:46:24","modified_gmt":"2024-10-25T12:46:24","slug":"salon-corporel","status":"publish","type":"page","link":"https:\/\/www.artep.ro\/en\/salon-corporel\/","title":{"rendered":"Salon Corporel"},"content":{"rendered":"
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\n\t\t\t\t\t\t\t\t\tSalon Corporel.
A different kind of debate on body politics\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tCurator: Daniel Neugebauer\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tArtists: Jasmijn Visser & Lantian Xie\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tThe programme Artistic Residency 110, 2024 edition, ends with the research session held by curator Daniel Neugebauer in Ia\u0219i. Present between 8th \u2013 18th of October, 2024 in Romania, as part of the exchange of experiences developed by the Artep Gallery Association and Haus der Kulturen der Welt (House of World Cultures) and co-financed by the National Cultural Fund Administration, Daniel Neugebauer will also hold a debate dedicated to this year's in-depth theme: body politics and different artistic perspectives on this current theme.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tAt 18.00 on Thursday, 10th of October, 2024, , we look forward to seeing you at \"Salon Corporel. An evening of investigations into corporealities, climate and corpses\". During this interactive session, participants are invited to reflect on institutional and artistic practices related to the complexity of bodies. Curator Daniel Neugebauer, together with artists Jasmijn Visser and Lantian Xie, will address a series of questions such as: Where and how do bodies manifest? Is someone's luxury endangering some other people's lives? What is the anatomy of a power body?\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tThrough an original lecture-performance presentation, musical elements and a gaming session, guests will give examples of how artistic research can shape institutional practice and how politics, mechanisms of inclusion and exclusion are reshaped by all bodies present (or absent) in a room, in a conversation, an institution or a state.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tJasmijn Visser works at the intersection of design and art. In his practice, Visser explores the ordering, aesthetics and narrative patterns of geopolitical cases and proposes new forms of framings of complexity. Her artwork often stems from long-term collaborative projects, such as Conflict Atlas\u2014Geopolitics and Contingencies on the Malvinas\/Falklands Archipelago, where she explored the writing of geopolitical conflict by placing the centre of the world on the Falkland Islands, in collaboration with Metahaven. Or in Serf Club, where she created an algorithm that generates a live movie by connecting 2500 live streams, along with automatic subtitles and music from the archives, in collaboration with PWR studio. Visser is currently completing her first video game, The weather has been cancelled, and is a fellow at the Rachel Carson Centre in Munich, where she researches media narratives and the aesthetics of climate change.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tLantian Xie creates images, objects, things, events, formulations, jumps, sudden changes, movements, exhibitions, books, working groups, jazz bands, motorcycles and parties.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tDaniel Neugebauer is an educator\/curator\/cultural manager living in Berlin. He worked as Head of Communication and Cultural Education at Haus der Kulturen der Welt (HKW) between 2018-2022. In 2023, he joined the curatorial team of HKW under Bonaventure Ndikung. Neugebauer was the first Connected World Senior Fellow at Vrije Universiteit Amsterdam in 2022-2023, working on the relationship between the university and student bodies. He edited four volumes in the HKW Das Neue Alphabet series (2020-2023) on body politics and their poets. His previous positions include education coordinator of the Romanian Pavilion at the 59th Venice Biennale, 2022, for Adina Pintilie and head of marketing, mediation and fundraising at Van Abbemuseum, Eindhoven, 2012-2018. He also coordinated the marketing activities for documenta 14 (Kassel\/Athens) in 2016\/2017. He was trained at the Kunsthalle Bielefeld, where he worked from 2006 to 2012 and obtained a diploma in cultural geragogy in 2012. Since 2018 he is active as a volunteer member of the Berlin Arts Council.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tThe event is moderated by Cristiana Ursache and is held in English without translation.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tCristiana Ursache is a curator, researcher and editor in Iasi, Romania. Her curatorial practice focuses on documenting and understanding collaborating artists and facilitating the visual experience for different types of audiences. With her experience in cultural mediation, she sustains the dialogue and exchange of knowledge for a wide variety of cultural projects. Currently, Cristiana works as a curator at Artep Gallery in Ia\u0219i and is working on a doctoral research on curatorial practices in Romania between 2000 and 2023, contributing to the mapping of Romanian curatorship.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tOrganizer: Artep Gallery Association\nMain partner: Haus der Kulturen der Welt\nPartners: \"George Enescu\" National University of Arts in Ia\u0219i, Institute for Multidisciplinary Research in Art, PROPAGARTA, Empower Artists, Modernism, PIN Magazine, Destination Ia\u0219i\nCultural project co-financed by the Administration of the National Cultural Fund\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tThe project does not necessarily represent the position of the National Cultural Fund Administration. AFCN is not responsible for the content of the project or how the works may be used. These are entirely the responsibility of the beneficiary of the funding.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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