{"id":12284,"date":"2026-09-04T09:56:50","date_gmt":"2026-09-04T09:56:50","guid":{"rendered":"https:\/\/www.artep.ro\/?p=12284"},"modified":"2026-09-04T10:02:17","modified_gmt":"2026-09-04T10:02:17","slug":"o-noua-expozitie-rezidenta-artistica-110-la-sona-de-ai-casei","status":"publish","type":"post","link":"https:\/\/www.artep.ro\/en\/o-noua-expozitie-rezidenta-artistica-110-la-sona-de-ai-casei\/","title":{"rendered":"O nou\u0103 expozi\u021bie Reziden\u021ba Artistic\u0103 110 la \u0218ona: DE-AI CASEI"},"content":{"rendered":"
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\n\t\t\t\t\t\t\t\t\tO nou\u0103 expozi\u021bie Reziden\u021ba Artistic\u0103 110 la \u0218ona: DE-AI CASEI\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tEdi\u021bia 2026 a programului Reziden\u021ba Artistic\u0103 110, dezvoltat de Asocia\u021bia Galeria Artep \u0219i co-finan\u021bat de Administra\u021bia Fondului Cultural Na\u021bional (AFCN), a fost dedicat\u0103 comunit\u0103\u021bilor, pornind de la importan\u021ba coeziunii sociale \u0219i de la rolul artei \u00een crearea unor contexte de \u00eent\u00e2lnire, dialog \u0219i colaborare. Programul a urm\u0103rit s\u0103 exploreze felul \u00een care practicile artistice pot contribui la apropierea oamenilor, la schimbul de idei \u0219i experien\u021be.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tProgramul are la baz\u0103 parteneriatul specific dintre institu\u021bia ie\u0219ean\u0103 Asocia\u021bia Galeria Artep \u0219i institu\u021bia berlinez\u0103 Haus der Kulturen der Welt (HKW), \u0219i a fost dedicat \u00een 2026 arti\u0219tilor rom\u00e2ni (din \u021bar\u0103 sau din diaspor\u0103) preocupa\u021bi \u00een practica lor de impactul interac\u021biunii directe la nivelul comunit\u0103\u021bilor mici, dar \u0219i la nivelul comunit\u0103\u021bilor profesionale (bresle artistice), \u0219i expunerea acestora la contextul european de abordare a acestei problematici.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tCei cinci arti\u0219ti selecta\u021bi \u00een aprilie au beneficiat de o mobilitate artistic\u0103 cu o durat\u0103 de 14 zile, \u00een intervalul mai-iulie 2026, dedicate cercet\u0103rii \u0219i schimbului de experien\u021b\u0103 facilitate de partenerii locali. Cristina Bobe, Maria Bruda\u0219c\u0103, Florin Fluera\u0219, Lavinia Ghimb\u0103\u0219an \u0219i Mihaela Lungu au c\u0103l\u0103torit 10 zile la Berlin \u0219i 4 zile la \u0218ona \u00een cadrul acestei reziden\u021be de crea\u021bie. Pe 19 septembrie 2026, de la ora 17:00, deschidem expozi\u021bia DE-AI CASEI, expozi\u021bie colectiv\u0103 instalat\u0103 \u00een casa \u00een curs de restaurare din \u0218ona de la num\u0103rul 110, care reune\u0219te cinci interven\u021bii artistice, reprezentative pentru arti\u0219tii acestei edi\u021bii a programului Reziden\u021ba Artistic\u0103 110. \n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\u201eCercetarea arti\u0219tilor din proiectul Reziden\u021ba Artistic\u0103 la Berlin porne\u0219te de la o \u00eentrebare aparent simpl\u0103: cum mai putem crea conexiuni \u00eempreun\u0103? \u00centr-un prezent \u00een care rela\u021biile sunt acaparate de tehnologie \u0219i comunicare online, proximitatea nu mai garanteaz\u0103 apropierea, iar conectarea nu \u00eenseamn\u0103 neap\u0103rat comunitate. \u00cen acela\u0219i timp, migra\u021bia, diferen\u021bele economice \u0219i culturale sau sentimentul de a fi str\u0103in continu\u0103 s\u0103 produc\u0103 delimit\u0103ri \u00eentre \u201enoi\u201d \u0219i \u201eceilal\u021bi\u201d. La \u0218ona, aceast\u0103 \u00eentrebare cap\u0103t\u0103 \u00eens\u0103 o dimensiune concret\u0103. Comunitatea este mai mult dec\u00e2t o defini\u021bie despre oameni, este o succesiune de case, cur\u021bi, gesturi, obiecte, plante, corpuri \u0219i istorii individuale. Expozi\u021bia urm\u0103re\u0219te tocmai aceast\u0103 viziune: de la teritoriul intim al individului c\u0103tre forme din ce \u00een ce mai largi ale apartenen\u021bei\u201d, detaliaz\u0103 Cristiana Ursache, curatoarea expozi\u021biei. \t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tCristina Bobe, artist\u0103 vizual\u0103, caut\u0103 permanent moduri poetice de a privi \u0219i locui lumea. A studiat filosofia la Universitatea din Bucure\u0219ti \u0219i fotografia la UNARTE, iar \u00een prezent tr\u0103ie\u0219te \u0219i lucreaz\u0103 pe axa Viscri-Bucure\u0219ti. De peste 15 ani, lucreaz\u0103 la intersec\u021bia dintre art\u0103, s\u0103n\u0103tate \u0219i jurnalism, prin proiecte desf\u0103\u0219urate \u00een spitale, muzee, galerii \u0219i spa\u021bii alternative. Proiectele sale Gentle Violence \u0219i Ora\u0219ul nev\u0103zut au fost expuse la Muzeul Na\u021bional Brukenthal, Muzeul de Art\u0103 din Cluj-Napoca \u0219i Muzeul Na\u021bional al H\u0103r\u021bilor. A ini\u021biat Artera artist-run space, dedicat rela\u021biei art\u0103-s\u0103n\u0103tate-corp \u0219i UNSEEN. Concert in the Dark, reimagin\u00e2nd concertele de muzic\u0103 clasic\u0103 prin experien\u021be imersive. \u00cen ultimii ani s-a orientat c\u0103tre via\u021ba rural\u0103, explor\u00e2nd prin fotografie patrimoniul local, ritualurile domestice \u0219i rela\u021bia cu natura. \u00cen paralel, dezvolt\u0103 formate participative precum plimb\u0103rile fotogeografice, \u0219ez\u0103tori botanice \u0219i practici fotografice \u00eendreptate c\u0103tre starea de bine.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tMaria Bruda\u0219c\u0103 locuie\u0219te \u00een Cluj \u0219i este absolvent\u0103 a Universit\u0103\u021bii de Art\u0103 \u0219i Design din Cluj-Napoca. Artista \u00ee\u0219i descrie practica drept un spa\u021biu al dialogului \u0219i activeaz\u0103 \u00een domeniile ilustra\u021biei, anima\u021biei \u0219i educa\u021biei culturale pentru tineri. Lucr\u0103rile sale exploreaz\u0103 rela\u021biile dintre individ \u0219i mediu, precum \u0219i diverse provoc\u0103ri sociale \u00eentr-un context urban aflat \u00een continu\u0103 schimbare. Desenul este instrumentul principal prin care \u00ee\u0219i documenteaz\u0103 \u0219i \u00ee\u0219i dezvolt\u0103 proiectele, datorit\u0103 capacit\u0103\u021bii sale de a transmite informa\u021bii relevante dincolo de grani\u021bele geografice, lingvistice sau culturale. Practica sa urm\u0103re\u0219te descoperirea, cartografierea vizual\u0103 \u0219i promovarea unor modalit\u0103\u021bi de a men\u021bine conexiunile umane, practicile analogice \u0219i o stare general\u0103 de bine \u00eentr-un context tot mai digitalizat \u0219i alienant. Prin lucr\u0103rile sale, artista \u00ee\u0219i propune s\u0103 creeze un spa\u021biu de dialog \u00eentre subiect \u0219i privitor, bazat pe reprezent\u0103ri vizuale ale unor experien\u021be comune.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tFlorin Fluera\u0219 lucreaz\u0103 la intersec\u021bia dintre art\u0103, filosofie, politic\u0103 \u0219i performance, dezvolt\u00e2nd situa\u021bii \u0219i cadre conceptuale care pun \u00een discu\u021bie conven\u021biile percep\u021biei \u0219i ale practicii artistice. Proiectele sale includ lucr\u0103ri precum \u201eArtwork\u201d, \u201eUnsorcery\u201d, \u201eClinica\u201d sau \u201ePostspectacol\u201d, prin care exploreaz\u0103 rela\u021bia dintre art\u0103 \u0219i exteriorul ei. O direc\u021bie central\u0103 a practicii sale este ideea de \u201elove\u201d ca baz\u0103 afectiv\u0103 a realit\u0103\u021bii, investigat\u0103 \u00een raport cu via\u021ba cotidian\u0103, natura, politica \u0219i arta, inclusiv prin concepte precum Love Nature, Love Art sau Political Sorcery. Florin Fluera\u0219 a prezentat \u00een contexte interna\u021bionale – FAP S\u00e3o Paulo, DEPO Istanbul, Ujazdowski Castle Warsaw, MUMOK Kino Vienna, HAU Berlin, Tanzquartier Wien, Kaaitheater Brussels, Bozar Brussels, CNDB \u0219i MNAC Bucure\u0219ti, Salonul de Proiecte, Akademie Schloss Solitude Stuttgart \u0219i Matter of Art Prague Biennale.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tLavinia Ghimb\u0103\u0219an este designer conceptual, cu un interes pentru practicile regenerative. Parcursul s\u0103u academic \u0219i creativ a \u00eenceput \u00een Danemarca, unde a lucrat zece ani \u00een domeniul designului spa\u021bial \u0219i de lumin\u0103, al identit\u0103\u021bii de concept \u0219i al sustenabilit\u0103\u021bii textile. Totodat\u0103, se concentreaz\u0103 pe intersec\u021bia dintre design, patrimoniu \u0219i mediu, explor\u00e2nd materiale \u0219i cuno\u0219tin\u021be locale pentru a crea leg\u0103turi \u00eentre practici tradi\u021bionale \u0219i contemporane. Proiectele sale sunt prezentate \u00een contexte interna\u021bionale precum FITE, FABER, Milan Design Week \u0219i Romanian Design Week. \u00cen ultimii ani, nevoia de a crea pornind de la ceea ce exist\u0103 deja a devenit tot mai important\u0103 \u00een practica sa. L\u00e2na a devenit treptat un material central \u00een demersul s\u0103u, ceea ce a condus, \u00een 2022, la co-fondarea Nalba Studio, un studio activ \u00eentre Rom\u00e2nia \u0219i Fran\u021ba, construit \u00een jurul ideii de localism. Lucr\u00e2nd cu l\u00e2na at\u00e2t ca material, c\u00e2t \u0219i ca punct de plecare, dezvolt\u0103 proiecte de design, educa\u021bie \u0219i implicare comunitar\u0103, pornind de la un material considerat din ce \u00een ce mai mult de\u0219eu \u0219i reconect\u00e2ndu-l la valoarea sa cultural\u0103, ecologic\u0103 \u0219i practic\u0103.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tMihaela Lungu este o artist\u0103 vizual\u0103 conceptual\u0103 a c\u0103rei practic\u0103 se desf\u0103\u0219oar\u0103 la intersec\u021bia dintre art\u0103, societate \u0219i mediu, articul\u00e2nd o reflec\u021bie critic\u0103 asupra urgen\u021belor sociale, politice \u0219i ecologice ale prezentului. Lucr\u0103rile sale pozi\u021bioneaz\u0103 arta ca un spa\u021biu de reflec\u021bie critic\u0103 \u0219i implicare civic\u0103, deplas\u00e2nd accentul de la obiect la proces \u0219i de la observa\u021bie pasiv\u0103 la participare activ\u0103. Lucr\u00e2nd cu formate interactive \u0219i multimedia, ea dezvolt\u0103 instala\u021bii care activeaz\u0103 publicul ca participant, invit\u00e2nd forme de implicare ce contest\u0103 modurile conven\u021bionale de receptare. Abordarea sa transdisciplinar\u0103 integreaz\u0103 cadre antropologice, politice \u0219i ecologice, \u00eencorpor\u00e2nd cercetarea \u0219i metodologiile participative \u00een nucleul practicii sale. Proiectele sale func\u021bioneaz\u0103 ca platforme de dialog, confrunt\u00e2nd realit\u0103\u021bile contemporane \u0219i cultiv\u00e2nd con\u0219tientizare colectiv\u0103, responsabilitate \u0219i ac\u021biune.\n\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tCristiana Ursache este curatoare \u00een Ia\u0219i, Rom\u00e2nia. A absolvit studiile de licen\u021b\u0103 \u0219i master \u00een teorii \u0219i practici \u00een artele vizuale la Universitatea de Arte ,,George Enescu\u201d Ia\u0219i, iar din 2023 def\u0103\u0219oar\u0103 o cercetare doctoral\u0103 despre practicile curatoriale din Rom\u00e2nia din anii 2000 p\u00e2n\u0103 \u00een prezent, \u00een cadrul aceleia\u0219i universit\u0103\u021bi. Din anul 2022 este curator la Galeria Artep, a avut rolul de mediator cultural al Pavilionului Rom\u00e2niei la Bienala de la Vene\u021bia, a fost coordonatorul programului de mediere cultural\u0103 la Garrison Chapel Londra, iar \u00een 2024 a colaborat cu Listval Gallery din Islanda. A curatoriat expozi\u021bii \u00een \u021bar\u0103 \u0219i \u00een afar\u0103 av\u00e2nd o practic\u0103 curatorial\u0103 experimental\u0103, adaptat\u0103 fiec\u0103rui artist. \n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tExpozi\u021bia DE-AI CASEI poate fi vizitat\u0103 \u00een intervalul 19 septembrie \u2013 9 octombrie 2026, la \u0218ona, cu o programare telefonic\u0103 prealabil\u0103. \n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tReziden\u021ba Artistic\u0103 110 este un program de dezvoltare dedicat artei vizuale contemporane, ini\u021biat \u0219i derulat de Asocia\u021bia Galeria aflat \u00een 2026 la a patra edi\u021bie. Toate edi\u021biile au beneficiat de co-finan\u021barea AFCN. \n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tOrganizer: Artep Gallery Association
\nPartener principal: Haus der Kulturen der Welt
\nParteneri: Universitatea Na\u021bional\u0103 de Arte \u201eGeorge Enescu\u201d din Ia\u0219i, Institutul de Cercetare Multidisciplinar\u0103 \u00een Art\u0103, PROPAGARTA, Empower Artists, Modernism, PIN Magazine, Destination Ia\u0219i\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tCultural project co-financed by: National Cultural Fund Administration (AFCN)\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tThe project does not necessarily represent the position of the National Cultural Fund Administration. AFCN is not responsible for the content of the project or how the works may be used. These are entirely the responsibility of the beneficiary of the funding.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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O nou\u0103 expozi\u021bie Reziden\u021ba Artistic\u0103 110 la \u0218ona: DE-AI CASEIEdi\u021bia 2026 a programului Reziden\u021ba Artistic\u0103 110, dezvoltat de Asocia\u021bia Galeria Artep \u0219i co-finan\u021bat de Administra\u021bia Fondului Cultural Na\u021bional (AFCN), a fost dedicat\u0103 comunit\u0103\u021bilor, pornind de la importan\u021ba coeziunii sociale \u0219i de la rolul artei \u00een crearea unor contexte de \u00eent\u00e2lnire, dialog \u0219i colaborare. Programul a […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[25],"tags":[],"class_list":["post-12284","post","type-post","status-publish","format-standard","hentry","category-proiecte"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts\/12284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/comments?post=12284"}],"version-history":[{"count":16,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts\/12284\/revisions"}],"predecessor-version":[{"id":12300,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts\/12284\/revisions\/12300"}],"wp:attachment":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/media?parent=12284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/categories?post=12284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/tags?post=12284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}