Tr\u0103im \u00een era consumerismului excesiv, a s\u0103r\u0103ciei perfecte \u0219i a bog\u0103\u021biei totale, a globaliz\u0103rii \u0219i a polariz\u0103rii sau a izol\u0103rii, \u00een era r\u0103zboiului climatic, informa\u021bional \u0219i tactic, dar \u0219i \u00een era con\u0219tientiz\u0103rii profunde, a dihotomiilor exagerate, a r\u0103spunsurilor imediate. Artistul Radu Carnariu are un mod foarte personal de a sesiza aceste teme \u0219i de a le transforma \u00een lucr\u0103ri de art\u0103. Filtrul s\u0103u nu este unul poetic, edulcorat, ci mai degrab\u0103 acustic, fragmentat, sacadat.<\/p>\n
Vino \u00een perioada 19 septembrie \u2013 12 noiembrie 2023<\/b> la Galeria Artep din Ia\u0219i ca s\u0103 descoperi sensurile primare, secundare sau ter\u021biare ale lucr\u0103rilor lui Radu Carnariu reunite \u00een cadrul expozi\u021biei \u201eUnder Constiction\u201d \u2013 un strig\u0103t al artistului ce poate fi lesne confundat cu un hohot de r\u00e2s.<\/p>\n
\u201eCunoscut \u00eendeosebi pentru interven\u021biile sale critice asupra imaginarului \u0219i sistemului de semnificare specific advertising-ului, Radu Carnariu propune de aceast\u0103 dat\u0103 o instala\u021bie multimedia deopotriv\u0103 ludic\u0103 \u0219i sarcastic\u0103, cu elemente ce evoc\u0103 vocabularul artei pop \u0219i semiotica proiectelor de critic\u0103 social\u0103 de la \u00eenceputul mileniului actual. \u00cen compozi\u021bia spa\u021biului expozi\u021bional, el combin\u0103 interven\u021bii grafice cu pictur\u0103, obiect, lucr\u0103ri de sunet \u0219i scurte interven\u021bii video. Sub masca deriziunii \u0219i a cinismului, expozi\u021bia invit\u0103 la o medita\u021bie grav\u0103 privind violen\u021ba \u00eenceat\u0103, efectele r\u0103zboiului asupra climei \u0219i ecosistemului natural \u0219i presiunea redistribuirii juste a resurselor naturale\u201d, detaliaz\u0103 curatorul Cristian Nae.<\/p>\n
\u00cencep\u00e2nd din luna octombrie, arti\u0219tii Raluca Ilaria Demetrescu, Alexandra Ghioc, Mircea Modreanu \u0219i Mihai Zgondoiu intr\u0103 \u00eentr-un dialog artistic cu Radu Carnariu \u00een cadrul proiectului UNDER CONSTRICTION, ini\u021biat de Asocia\u021bia Galeria Artep \u0219i co-finan\u021bat de Administra\u021bia Fondului Cultural Na\u021bional.<\/p>\n
\u201eUnder Constriction<\/i> analizeaz\u0103 critic rela\u021bia dintre conceptul de limit\u0103 \u0219i conceptul de libertate, pe fondul tot mai problematic al hedonismului supra-consumist contemporan, explor\u00e2nd contextual condi\u021biile producerii de sens vizual cu un impact crescut asupra capacit\u0103\u021bii de con\u0219tientizare a publicului cu privire la teme(ri)le globale stringente\u201d, spune artistul Radu Carnariu despre motiva\u021bia care a stat la baza acestui demers de explorare artistic\u0103.<\/p>\n
Radu CARNARIU este un artist vizual multidisciplinar care a absolvit licen\u021ba, masterul \u0219i doctoratul la Universitatea de Arte \u201eGeorge Enescu\u201d din Ia\u0219i. Este interesat de studiul efectelor sociale, politice \u0219i cognitive ale artei critice asupra rela\u021biei dintre mentalitate, imagina\u021bie \u0219i comportament. Proiectele sale artistice eviden\u021biaz\u0103 ironic unele contexte ale acestor efecte prin abord\u0103ri vizuale paradoxale, ce vizeaz\u0103 provocarea sau modificarea capacit\u0103\u021bii de con\u0219tientizare a publicului. A avut expozi\u021bii solo na\u021bionale \u00een Rom\u00e2nia \u0219i Germania \u0219i expozi\u021bii de grup precum: Art Revolution Taipei 2012 (finalist), Nord Art 2013 \u0219i Nord Art 2014, European Cuteness Art- Contaminazioni 2016, Budapest Art Fair 2021, Juxtapose Art Fair 2021, Art Safari- Superheroes\/Antiheroes 2021 \u0219i Supermarket-Stockholm Independent Art Fair 2022.<\/p>\n
Cristian NAE este critic de art\u0103, curator \u0219i teoretician stabilit \u00een Ia\u0219i, Rom\u00e2nia, unde lucreaz\u0103 ca profesor universitar la Universitatea Na\u021bional\u0103 de Arte din Ia\u0219i. A fost bursier Fulbright la University of California, Santa Barbara (2023). De asemenea, a primit burse de cercetare din partea funda\u021biei Erste din Viena, Funda\u021biei Getty din Los Angeles \u0219i Institutului de Studii Avansate Colegiul Noua Europ\u0103 din Bucure\u0219ti \u0219i programului interna\u021bional CAA-Getty, \u0219i a coordonat proiecte de cercetare privind istoria expozi\u021biilor \u00een Rom\u00e2nia \u0219i Europa de Est finan\u021bate de Consiliul Na\u021bional al Cercet\u0103rii \u0218tiin\u021bifice. Cele mai recente studii ale sale au fost publicate \u00een volume colective publicate la edituri precum Routledge (2022, 2018),\u00a0 <\/span>de Gruyter (2023, 2020) sau Wiley-Blackwell (2020). Recent, a co-editat volumul Romanian Contemporary Art 2010-2020. Rethinking the Image of the World: Projects and Sketches<\/i> (Hatje Cantz, 2020). A contribuit la monografiile unor arti\u0219ti precum Decebal Scriba sau SubREAL \u0219i a curatoriat Pavilionul Rom\u00e2niei la cea de a 58-a edi\u021bie a Bienalei de la Vene\u021bia (2019).<\/p>\n Invita\u021bi cu propria perspectiv\u0103 asupra temei propuse de Radu Carnariu, vor fi prezen\u021bi la Ia\u0219i cu interven\u021bii vizuale special create \u00een contextul proiectului UNDER CONSTRICTION arti\u0219tii Alexandra Ghioc (10-17.10), Mihai Zgondoiu (17-25.10), Raluca Ilaria Demetrescu (26.10-1.11) \u0219i Mircea Modreanu (2-8.11).<\/b><\/p>\n Asocia\u021bia Galeria Artep a fost \u00eenfiin\u021bat\u0103 \u00een decembrie 2019, din dorin\u021ba de \u00eembog\u0103\u021bire a demersurilor educative corelate artei contemporane \u00een peisajul cultural ie\u0219ean. Colaborarea cu\u00a0 <\/span>Galeria Artep a \u00eensemnat derularea a numeroase expozi\u021bii cu arti\u0219ti rom\u00e2ni \u0219i interna\u021bionali, curatoriate de: Alexandra Manole (Felix Aftene, \u201eMemoria Spa\u021biului\u201d, 2018, \u0218tefan C\u00e2l\u021bia, \u201eFragilitate\u201d, 2019, Virgil Scripcariu, \u201e\u00cent\u00e2lnire\u201d, 2019, Nicu Ilfoveanu, \u201ePanorama\u201d, 2021), Matei C\u00e2l\u021bia (Ghenadie Popescu \u0219i Mark Verlan, \u201eAproape totul sau mai nimic\u201d, 2020, \u201e\u0218tefan C\u00e2l\u021bia. Gl\u0103j\u0103rie. Apropierea de un me\u0219te\u0219ug\u201d, 2021, \u201e\u0218tefan C\u00e2l\u021bia. Obiectele restaur\u0103rii\u201d, 2022, Palatul Culturii), Cristian Nae (Matei Bejenaru, \u201ePRINT\u201d, 2021, Claudiu Ciobanu, \u201eSOLARIS\u201d, 2022), Cristiana Ursache (Miruna Radovici, \u201eCross the Lake in a Silver Plate\u201d, 2022, \u201e\u0218tefan C\u00e2l\u021bia. Pe Olt\u201d, 2022, \u0218ona, Sorin Ilfoveanu, LEVANT, 2022\/2023, Claudiu Ciobanu \u201eMemento Vivere\u201d, 2023, Viena).\u00a0<\/span><\/p>\n Organised by: Galeria Artep Association<\/p>\n Cultural project co-financed by: National Cultural Fund Administration (AFCN)<\/p>\n Parteneri: Universitatea de Arte G. Enescu, Destination Ias\u0326I, Institutul de Cercetare Multidisciplinara in Arta (ICMA), FabLab<\/p>\n Parteneri media: ASOCIATIA EMPOWER ART & ARTISTS, Revista Timpul, Asociatia PIN pentru Promovarea Tehnologiei si lndustriilor Creative, Revista Modernism<\/p>\n The project does not necessarily represent the position of the National Cultural Fund Administration. AFCN is not responsible for the content of the project or how the works may be used. These are entirely the responsibility of the beneficiary of the funding.<\/i><\/p>","protected":false},"excerpt":{"rendered":" Tr\u0103im \u00een era consumerismului excesiv, a s\u0103r\u0103ciei perfecte \u0219i a bog\u0103\u021biei totale, a globaliz\u0103rii \u0219i a polariz\u0103rii sau a izol\u0103rii, \u00een era r\u0103zboiului climatic, informa\u021bional \u0219i tactic, dar \u0219i \u00een era con\u0219tientiz\u0103rii profunde, a dihotomiilor exagerate, a r\u0103spunsurilor imediate. Artistul Radu Carnariu are un mod foarte personal de a sesiza aceste teme \u0219i de a […]<\/p>\n","protected":false},"author":1,"featured_media":6925,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[25],"tags":[],"class_list":["post-6924","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-proiecte"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts\/6924","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/comments?post=6924"}],"version-history":[{"count":2,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts\/6924\/revisions"}],"predecessor-version":[{"id":6927,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts\/6924\/revisions\/6927"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/media\/6925"}],"wp:attachment":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/media?parent=6924"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/categories?post=6924"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/tags?post=6924"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}