Vino \u00een perioada 2 aprilie \u2013 20 mai<\/b> 2024<\/b>, la Galeria Artep, la expozi\u021bia \u201eCultiv\u00e2nd \u00een comun abunden\u021ba\u201d, pentru a altfel de perspectiv\u0103 asupra resurselor naturale, a risipei \u0219i a direc\u021biilor de exploatare a agriculturii, propus\u0103 de artista suedez\u0103 <\/b>\u00c5sa Sonjasdotter<\/p>\n
Prima expozi\u021bie din cadrul proiectului dedicat exclusiv viziunii femeilor \u00een arta vizual\u0103 W SPOTLIGHT, ini\u021biat de Asocia\u021bia Galeria Artep \u0219i co-finan\u021bat de AFCN, este curatoriat\u0103 de Cristina Moraru \u0219i adreseaz\u0103 problematica justi\u021biei ecologice \u0219i a angajamentului activist-agricol \u00een cadrul unei cercet\u0103ri artistice desf\u0103\u0219urate de c\u0103tre artista suedez\u0103 ecofeminist\u0103 \u00c5sa Sonjasdotter. Expozi\u021bia se va constitui ca manifest deschis \u00een sprijinul reactiv\u0103rii metodelor de agricultur\u0103 colaborativ\u0103, incluz\u00e2nd lucrarea The Kale Bed Is so Called Because There Is Always Kale in It<\/i> realizat\u0103 \u00een colaborare cu Merc\u00e8 Torres R\u00e0fols, and Allkorn & Hans Larsson.<\/p>\n
\u00c5sa Sonjasdotter<\/b> este artist\u0103, cercet\u0103toare, scriitoare \u0219i lucr\u0103toare social\u0103, care locuie\u0219te pe insula Ven, Suedia, \u0219i \u00een ora\u0219ul Berlin, Germania. Opera artistic\u0103 a artistei suedeze este izvor\u00e2t\u0103 din nevoia acesteia de a se angaja \u00een procese material-narative pentru deconstruirea rela\u021biilor violente prin hran\u0103 \u0219i p\u0103m\u00e2nt. Investig\u00e2nd c\u00e2mpurile agricole de monocultur\u0103 din regiunea foarte industrializat\u0103 din Scandinavia de Sud, ea are o experien\u021b\u0103 personal\u0103 direct\u0103 a efectelor produse de rela\u021biile dintre oameni, habitate, ape \u0219i p\u0103m\u00e2nt. De dou\u0103 decenii, Sonjasdotter se implic\u0103 \u00een educarea cuno\u0219tin\u021belor fermierilor \u0219i a rela\u021biei oamenilor cu alimentele. Sonjasdotter este autoarea c\u0103r\u021bii Peace with the Earth. Earth, Tracing Agricultural Memory \u2013 Refigurer Practice, <\/i>publicat\u0103 de Archive Books, Berlin, \u00een 2019. Cartea prezint\u0103 o anchet\u0103 micro-istoric\u0103 asupra practicilor agricole a trei culturi de baz\u0103: cereale, cartofi \u0219i varz\u0103. \u00c5sa <\/b>Sonjasdotter este cercet\u0103tor doctor \u00een practic\u0103 artistic\u0103 la Academia Valand, Universitatea din G\u00f6teborg, Suedia. Din 2015 p\u00e2n\u0103 \u00een 2019, ea a fost membru fondator al Neighbourhood Academy, Berlin. \u00cen 2007, Sonjasdotter a co-fondat Academia de Art\u0103 Contemporan\u0103 din Troms\u00f8, Universitatea Arctic\u0103 din Norvegia, unde a fost lider de program p\u00e2n\u0103 \u00een 2010 \u0219i profesor p\u00e2n\u0103 \u00een 2014. A participat la \u00eenfiin\u021barea asocia\u021biei arti\u0219tilor danezi Young Art Workers \u00een 2002. Sonjasdotter este fondatoarea Women Down the Pub<\/i> (Kvinder p\u00e5 V\u00e6rtshus), o re\u021bea de ac\u021biune feminist\u0103 ini\u021biat\u0103 la Copenhaga, 1996, care a publicat antologia de texte: View, feminist strategies in Danish visual art<\/i> \u00een 2004.<\/p>\n
Merc\u00e8 Torres R\u00e0fols<\/b> lucreaz\u0103 \u00een principal cu fotografia pentru a reda diferitele materialit\u0103\u021bi. Este preocupat\u0103 de rela\u021biile dintre anumite practici agricole \u0219i de pescuit de-a lungul istoriei \u00eentr-un loc dat, de modul \u00een care sunt transferate cuno\u0219tin\u021bele \u0219i cum aceste practici se muleaz\u0103 pe\u00a0 <\/span>experien\u021ba noastr\u0103 \u00een rela\u021bia timp. Torres R\u00e0folse are un master \u00een fotografie la Universitatea din G\u00f6teborg (2021) \u0219i unul \u00een arte frumoase la Universitatea din Barcelona (2019). Din 2022 este co-director al Festivalului de c\u0103r\u021bi Fotobok Gbg \u0219i fondator al colectivului Garden Loops.<\/p>\n \u201eUrm\u0103rind memoria agricol\u0103 \u00een vederea reconfigur\u0103rii practicilor de cultivare a cerealelor, \u00c5sa Sonjasdotter identific\u0103 o scindare la nivelul conexiunii uman-vegetale determinat\u0103 de introducerea metodelor de cultivare moderne, coloniale, care amplificau structurile autoritare de cultivare deja existente. Ca rezultat al acestei scind\u0103ri, tratarea \u0219tiin\u021bific\u0103 a mediului vegetal a provocat o delimitare a practicii cultiv\u0103rii de cunoa\u0219terea cultiv\u0103rii, care este centralizat\u0103 la nivelul activit\u0103\u021bii unor institu\u021bii motivate politic sau \u0219tiin\u021bific \u0219i conectate mediului universitar sau industrial\u201d, observ\u0103 Cristina Moraru, curatoarea expozi\u021biei.<\/p>\n Cristina MORARU <\/b>este cercet\u0103toare, curatoare \u0219i editoare din Ia\u0219i. Lucreaz\u0103 ca lector universitar la Universitatea Na\u021bional\u0103 de Arte \u201eGeorge Enescu\u201d \u0219i este membru fondator al .<\/i>. Totodat\u0103, este membru al forumului de cercetare TPP<\/span> <\/i>supported by <\/i>Technische Universit\u00e4t Berlin, Universit\u00e4t Bonn, Leuphana Universit\u00e4t L\u00fcneburg \u0219i Ludwig-Maximilians Universit\u00e4t M\u00fcnchen, membru AICA \u0219i (co)editor al publica\u021biei academice Studies in Visual Arts and Communication<\/i>. A participat \u00een programe de studii interna\u021bionale, workshop-uri \u0219i reziden\u021be de cercetare \u00een cadrul NCCR University of Basel, CRC \u201cAffective Societies\u201d Freie Universit\u00e4t Berlin, Aarhus University, University of Vienna, Simon Fraser University (Vancouver), Valand Academy for Art and Design (University of Gothenburg), University of Copenhagen, Lucerne University of Applied Sciences and Arts, Leuphana University L\u00fcneburg, Universit\u00e4t Hamburg, Loughborough University, Birmingham City University, Pedagogical University of Krakow, European University at St Petersburg, Danube University Krems, Ben-Gurion University of the Negev, MTFA Academy Chi\u0219inau, EEPAP Lublin, LCCA Latvia, CCA Prishtina, The Cvito Fiskovic Centre in Split, Institute of Contemporary Art in Zagreb, Fondazione Arthur Cravan in Milan<\/span> \u0219i alte institu\u021bii independente.<\/p>\n \u201eCa gest simbolic de incluziune, \u00c5sa Sonjasdotter aduce \u00een spa\u021biul expozi\u021bional semin\u021be ale fermierilor locali din Ia\u0219i care folosesc tehnici tradi\u021bionale de cultivare a semin\u021belor de varz\u0103, milit\u00e2nd pentru \u2018comunalizarea\u2019 unei metode organice \u0219i participatorii de cre\u0219tere a plantelor\u201d, aminte\u0219te Cristina Moraru.<\/p>\n Asocia\u021bia Galeria Artep a fost \u00eenfiin\u021bat\u0103 \u00een decembrie 2019, din dorin\u021ba de \u00eembog\u0103\u021bire a demersurilor educative corelate artei contemporane \u00een peisajul cultural ie\u0219ean. Colaborarea cu\u00a0 <\/span>Galeria Artep a \u00eensemnat derularea a numeroase expozi\u021bii cu arti\u0219ti rom\u00e2ni \u0219i interna\u021bionali, curatoriate de: Alexandra Manole (Felix Aftene, \u201eMemoria Spa\u021biului\u201d, 2018, \u0218tefan C\u00e2l\u021bia, \u201eFragilitate\u201d, 2019, Virgil Scripcariu, \u201e\u00cent\u00e2lnire\u201d, 2019, Nicu Ilfoveanu, \u201ePanorama\u201d, 2021), Cristiana Ursache (Miruna Radovici, \u201eCross the Lake in a Silver Plate\u201d, 2022, \u201e\u0218tefan C\u00e2l\u021bia. Pe Olt\u201d, 2022, \u0218ona, Sorin Ilfoveanu, \u201eLEVANT\u201d, 2022\/2023, Claudiu Ciobanu \u201eMemento Vivere\u201d, 2023, Viena, Andrei Gavrili\u021ba, \u201eRISIPIT\u201d, 2023\/2024), Matei C\u00e2l\u021bia (Ghenadie Popescu \u0219i Mark Verlan, \u201eAproape totul sau mai nimic\u201d, 2020, \u201e\u0218tefan C\u00e2l\u021bia. Gl\u0103j\u0103rie. Apropierea de un me\u0219te\u0219ug\u201d, 2021, \u201e\u0218tefan C\u00e2l\u021bia. Obiectele restaur\u0103rii\u201d, 2022, Palatul Culturii), Cristian Nae (Matei Bejenaru, \u201ePRINT\u201d, 2021, Claudiu Ciobanu, \u201eSOLARIS\u201d, 2022).<\/p>\n Organised by: Galeria Artep Association<\/p>\n Cultural project co-financed by: National Cultural Fund Administration (AFCN)<\/p>\n Parteneri: Universitatea de Arte \u201eGeorge Enescu\u201d, Institutul de Cercetare Multidisciplinara \u00een Art\u0103,\u00a0 <\/span>Destination Ias\u0326I<\/p>\n Parteneri media: Revista Propagarta, ASOCIA\u021aIA EMPOWER ART & ARTISTS, Asocia\u021bia PIN pentru Promovarea Tehnologiei \u0219i lndustriilor Creative, Revista Modernism<\/p>\n The project does not necessarily represent the position of the National Cultural Fund Administration. AFCN is not responsible for the content of the project or how the works may be used. These are entirely the responsibility of the beneficiary of the funding.<\/i><\/p>","protected":false},"excerpt":{"rendered":" Vino \u00een perioada 2 aprilie \u2013 20 mai 2024, la Galeria Artep, la expozi\u021bia \u201eCultiv\u00e2nd \u00een comun abunden\u021ba\u201d, pentru a altfel de perspectiv\u0103 asupra resurselor naturale, a risipei \u0219i a direc\u021biilor de exploatare a agriculturii, propus\u0103 de artista suedez\u0103 \u00c5sa Sonjasdotter Prima expozi\u021bie din cadrul proiectului dedicat exclusiv viziunii femeilor \u00een arta vizual\u0103 W SPOTLIGHT, […]<\/p>\n","protected":false},"author":1,"featured_media":7983,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[25],"tags":[],"class_list":["post-7982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-proiecte"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts\/7982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/comments?post=7982"}],"version-history":[{"count":1,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts\/7982\/revisions"}],"predecessor-version":[{"id":7984,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts\/7982\/revisions\/7984"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/media\/7983"}],"wp:attachment":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/media?parent=7982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/categories?post=7982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/tags?post=7982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}