{"id":9477,"date":"2024-12-09T14:41:38","date_gmt":"2024-12-09T14:41:38","guid":{"rendered":"https:\/\/www.artep.ro\/?p=9477"},"modified":"2024-12-20T11:31:30","modified_gmt":"2024-12-20T11:31:30","slug":"the-space-between-things","status":"publish","type":"post","link":"https:\/\/www.artep.ro\/en\/the-space-between-things\/","title":{"rendered":"The space between things"},"content":{"rendered":"
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\n\t\t\t\t\t\t\t\t\tThe space between things\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tEXHIBITION:
The space between things\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tAUTHOR:
Andreea-Delia Voren\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tPERIOD:
12 decembrie 2024 – 23 ianuarie 2025\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tIn the exhibition \"The Space Between Things,\" Andreea Delia Voren, the awardee of the Art Gen 24, explores the boundaries of perception, materiality, and her medium of choice. After initially having worked with painting, she transitioned to glass\u2014a medium whose materiality amplifies the intensity between presence and absence, appearance and tangibility. \r\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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This is an artistic research migrating from dissertation to exhibition, the artist\u2019s works intersect with the theories of Bruno Latour and Graham Harman, offering a philosophical framework for understanding a world where objects become relevant actors within a complex network of relationships.\r\n\r\n

Glass fused with stones, sand, or exhibition brochures emerges as a hybrid materiality where nature (sand) and culture (exhibition materials) coexist. These pieces evoke Latour\u2019s concept of \u201cquasi-objects,\u201d entities that resist pure categorization. Bruno Latour, in We Have Never Been Modern, reveals the illusion of separation between nature and culture, object and subject. He proposes a \"Nonmodern Constitution\" that acknowledges the interdependence and inevitable blending of these categories. In the artist\u2019s works, the contrast between the natural and the artificial, presence and utility, becomes evident. Andreea Delia Voren\u2019s works are not silent witnesses but actors in a network the artist has created from installations encompassing her journeys and artistic trajectory, using natural and artificial elements she has collected. Glass, paper, and pigments are as much a part of this \u201cparliament of things\u201d as the shadows and light they project into space.\r\n\r\n

Andreea Delia Voren\u2019s works reflect a poetic approach to objecthood: stones, paper, or glass are not merely materials but become \"autonomous actants,\" protagonists that transcend their initial function. For Harman, objects are not reduced to their utility or our impressions of them\u2014they exist through an essential \u201cwithdrawal,\u201d being more than what we can know or perceive. In this sense, they exist in a state of \u201cwithdrawal\u201d from utilitarian perception, inviting us to contemplate them purely as raw presences. The artist uses the transparency and fragility of glass to illustrate the \u201ctension\u201d between an object and its properties. Glass is simultaneously material and immaterial, present yet transparent.\r\n\r\n

The exhibition thus becomes an intermediary space where the works speak for themselves, beyond utilitarian or symbolic contexts. Andreea Delia Voren captures the \u201cin-between\u201d of visible and invisible, material and immaterial, transforming the surfaces of glass into a portal toward what Latour and Harman call the deep reality of objects. The artist\u2019s works propose a return to an aesthetic of pure observation, free from forced interpretations: an exhibition about objects encased in glass, about the spaces between them, about the silence of materiality and the story things tell when humans stop categorizing them. Through this exhibition, the artist challenges the limits of perception and invites us to rethink our place within the vast network of things. We witness a dialogue between nature and culture and a moment of redefinition of the relationship between humans, objects, and space.\r\n\r\n

The Space Between Things is a space proposing an aesthetic of pure presence\u2014between things. Through serendipitous textures and material accidents\u2014pigment stains, traces of sand, fragments of paper\u2014Andreea Delia Voren creates a world where things are left to simply \u201cbe.\u201d\r\n\r\n

Curator, Cristiana Ursache\r\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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In the exhibition \"The Space Between Things,\" Andreea Delia Voren, the awardee of the Art Gen 24, explores the boundaries of perception, materiality, and her medium of choice. After initially having worked with painting, she transitioned to glass\u2014a medium whose materiality amplifies the intensity between presence and absence, appearance and tangibility. <\/p>","protected":false},"author":1,"featured_media":9431,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[26],"tags":[],"class_list":["post-9477","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expozitii"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts\/9477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/comments?post=9477"}],"version-history":[{"count":14,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts\/9477\/revisions"}],"predecessor-version":[{"id":9572,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/posts\/9477\/revisions\/9572"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/media\/9431"}],"wp:attachment":[{"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/media?parent=9477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/categories?post=9477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artep.ro\/en\/wp-json\/wp\/v2\/tags?post=9477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}